The
term "plein air" (derived from the
French, "open air") is used to describe
painting that is done outdoors, directly from
nature. Plein air painters seek to capture
the varied, shifting effects of light and
atmosphere on the landscape. Although some
people associate it with Impressionism, plein
air painting does not conform to any single
style, subject, approach, or philosophy. This
has been true historically, and it is still
true today.
There
are many benefits derived from painting
or drawing directly from nature. Experienced
studio artists often find that painting
en plein air brings freshness and immediacy
to their more formal work. They may notice
an increased sensitivity to nuances of color
and light and a sharpening of their powers
of observation. However, one does not have
to be an accomplished artist to have a meaningful
plein air experience. Even the most humble
sketchbook or travel journal can serve to
deepen a traveler's appreciation of the
places they visit. Sketching naturally causes
the traveler to linger and observe. In that
heightened state of awareness, sensations
are more acute. When reviewed later, the
sketches form a visual diary that can enable
the traveler to once again relive and savor
those poignant sensations. In that way,
even a simple plein air sketch can have
great significance.
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We have tried to incorporate this philosophy of “experiencing the moment” into every Arts Sojourn. It does not matter if the participant keeps a sketchbook, a travel journal, or produces a number of highly finished paintings. We emphasize the importance of savoring the experience as opposed to just producing a finished product. We hope that each participant will come away with the satisfaction that they have been more than just a casual tourist. The French painter, Gustave Courbet said, “To paint a country you have to know it”. In some small way that’s what we try to facilitate on the Arts Sojourn. |